Nigeria Essays -- Africa Culture Papers

Nigeria Modern Nigeria is an archetypal cauldron, enmeshed with a variety of cultural groups and traditions, nevertheless united by the prospect of forging a uniqueindependent national identity. Hausa, Fulbe, Yoruba and Igbo are among the largest of those, in the forty -three years since the end of colonial occupation, struggling to maintain their linguistic and cultural affiliations while simultaneously converging t o create a syncretic sense of Nigerianness. Subsequently, as one means of understanding art, in essence, is as a celebration of identity, artwork in the post -independence era manifests this struggle thus, placing artists at the epicenter of cultural iden tification.In the 1960s, artist Uche Okeke emerged as an total figure in the development of Nigerian art, and thus, Nigerian identity. Drawing from his Igbo heritage, Okeke effectively appropriated pre -colonial artistic traditions and applied them in an art for arts sake context. Okekes work, however, is not a mere re contextualization and revitalization of old forms. Rather, informed by historical situation, Okekes artworks are personal testimonies of struggle characterized by a inborn synt hesis of traditional and contemporary form and context. As an emblem of identity in post -colonial Nigeria, however, the doctrinal aesthetic of natural synthesis promoted by Okeke is not a simple combination of old and new its true nature is multi -tiered and specific to individual interpretation. Evident in Uche Okekes 1982 etching Ana, Asele and Badunka, natural synthesis represents a merger of uli design forms and Igbo cosmology a synthesis of traditional design and contemporary applications and a unification of writing and drawing in which theme... ...nd Nigerian coeval Art.Smithsonian Institution Press. Washington, D.C. 2002.Wilis, Elizabeth Anne. Uli Painting and Identity twentieth century de velopments in art In the Igbo speaking region of Nigeria. Ph.D Thesis at the School of Oriental and African S tudies at the University of London. Vols. 1 -2. 1997 Consulted Ejiogu, N.W. Body Decoration and Mural Painting in Oraifite and Aquleri Unpublished B.A. Thesis at the University of Nigeria, Nsukka. 1971.Forde, D. and G.I Jones. The Ibo and Ibibio Speaking Peoples of South Eastern Nigeri International African Institute, London. 1962.McCal, John C. Social Organization in Africa . Africa. Indiana University Press. Okeke, Uche.Creative Conscious. Asele Institute, Nimo, Anambra State, Nigeria. 1993. Otenberg, Simon. We are Becoming Art Minded.Vol. XXI. No. 4. pg.58 -67. 1988.